Sara Salam Suturing Wounds, 24
In Suturing Wounds, Egyptian artist Sara Sallam transforms fragmented histories into a tactile encounter.
Presented as a photographic installation at the Pitt Rivers Museum during Photo Oxford, the work features a series of self-portraits in which Sallam wears a tunic made from facsimiles of late antique Egyptian textile fragments. These small, torn fabrics bear witness to the violent 19th-century practice of excavating Byzantine-era cemeteries in Egypt and tearing garments from the dead to satisfy the growing demands of Western museums during the Victorian era.
Produced in 2024 during her Jameel Fellowship at the Victoria and Albert Museum, Sallam reprinted archival photographs of textiles torn from the cemetery of Akhmim onto fabric, then stitched them together into a single, whole garment. By wearing the tunic outside Blythe House in London ––a vast storage facility housing millions of artefacts from UK museums–– Sallam enacts an embodied protest. The work rejects the confinement of these textiles, originally ornamented to protect the deceased, now admired solely for their aesthetic value. Through this gesture, the artist seeks to honor her ancestors whose graves were desecrated, restoring care, attention, and remembrance to lives and histories long silenced.
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Sara Sallam (b. 1991) is a multidisciplinary artist-researcher who grew up in Egypt and now lives in the Netherlands. Working across photography, moving images, narrative writing, archival interventions, and self-publishing handmade books, she retells contested histories through counter-narratives that reclaim and decolonise ancient Egyptian heritage. Her practice, distinguished by poetic interventions into archives and a dedication to imagining empathetic engagement with Egypt’s past, reflects on themes of absence, loss, longing, and the colonial framing of Egyptian culture.
Her work has been exhibited internationally, most recently at the Museo Egizio in Turin, the Art & History Museum in Brussels, the Medelhavsmuseet in Stockholm, and the Rijksmuseum van Oudheden in Leiden, and supported by institutions including Mondriaan Fund, Magnum Foundation, Prince Claus Fund, and the Arab Fund for Arts & Culture.
Sarah Salam
Suturing Wounds
Pitt Rivers Museum
Upper Gallery,
South Parks Rd,
Oxford
OX1 3PP
25 October–30 November